Carole Harris and Jova Lynne:
Conversations in Color
January 24 - March 7, 2026
Carole Harris and Jova Lynne:
Conversations in Color
January 24 - March 7, 2026
Opening Reception: Saturday, January 24, 5-7 pm
At Matéria Eastern Market (1343 E. Fisher Freeway)
Matéria is pleased to present Conversations in Color, a two-person exhibition of new works by Detroit fiber artist Carole Harris and Detroit-based multidisciplinary artist Jova Lynne. The project also marks Matéria’s first activation at Detroit’s historic Eastern Market.
Conversations in Color brings together the visual reflections of two black women of different generations practicing in the city of Detroit today, investigating ideas of memory, embodiment and identity through different subjects and mediums, both using color as their emotional center.
Harris’ work focuses on the impact of time and memory, through the investigation of their effects on materials. Her work celebrates the beauty in the frayed, the decaying and the repaired. She aims to capture the patina of color softened by time, place and memory, as well as feature the nicks, scratches, scars and other marks left by nature or humans on constructed and natural surfaces. The creative layering of multiple materials and marks are evocative of the generational layers of memory, time, place and people in cloth and paper.
Jova Lynne’s works in Conversations in Color are part of A Key of Blue, a new series within Lynne’s Mitosis project, extending her ongoing investigation into color theory as a language of power, perception, and possibility. Lynne approaches color not only as a formal device but as a conceptual framework—how hues shape emotion, identity, and systems of meaning. Blue, in particular, carries contradictions: tranquility and infinity, yet historically associated with distance, detachment, and control. In pigment history, blue was once rare and sacred—ultramarine extracted through exploitative labor—while in scientific discourse, blue wavelengths marked discovery, charting oceans and skies as new frontiers of dominance.
In this series, blue is reimagined as a key—a passage to embodiment and self-determination. Drawing from the Lady in Blue in Ntozake Shange’s choreopoem for colored girls, Lynne channels her incantatory cadence and reclamation of “stuff” as a metaphor for autonomy. Here, blue becomes a vibration, a ritual, a refusal of containment.
This chromatic inquiry also engages Lynne’s ongoing research into the legacies of medical science and its impact on Black life—histories that have too often reduced the body to data, measurement, and hierarchy. Where eugenic frameworks once sought to categorize and control life through charts and color-coded systems, this work turns to color as a language of freedom rather than constraint. Blue becomes an act of reclamation—an answer to the clinical gaze—with each image offering a space where the body is not objectified but honored as presence, rhythm, and depth.
Conversations in Color opens to the public on Saturday, January 24, with a reception with the artists from 5 pm to 7 pm at Matéria's new activation at Detroit's historic Eastern Market and will be on view through March 7, 2026.

Image: Carole Harris, So Many Sunsets, 2024. Fiber. 49 x 48 inches.
CAROLE HARRIS
Carole Harris (b. 1943, Detroit, MI) received a BFA from Wayne State University (Detroit, MI). Carole Harris’ work has been presented extensively worldwide and is included in several museum collections, including the Detroit Institute of Arts (DIA), the Grand Rapids Art Museum (GRAM), and the Cranbrook Art Museum (CAM), as well as several institutional and corporate collections, including the Wayne State University Art Collection, the Progressive Art Collection, and the Henry Ford Health System Art Collection. Recent solo exhibitions include Sargent's Daughters Gallery, New York, NY, the Dennos Museum Center, Traverse City, MI, the Grand Rapids Art Museum, Grand Rapids, MI, Hill Gallery, Birmingham, MI, the Saginaw Museum of Art, Saginaw, MI, and Simone DeSousa Gallery now Matéria Gallery, in Detroit. In 2015 Harris was awarded a Kresge Foundation Visual Arts Fellowship.
JOVA LYNNE
Jova Lynne (b. 1989, New York, NY) is a multidisciplinary artist and curator of Jamaican and Colombian heritage, born and raised in New York City, and currently based in Detroit, MI. Lynne is interested in the parallels between fictional, historical, and personal archives in identity development. A student of archives, she seeks to subvert anthropological practice in utilizing lens, sculpture, and performative practices. Lynne received a Master of Fine Arts in Photography at Cranbrook Academy of Art in 2017, and has exhibited in a variety of galleries and public museums including the Detroit Institute of Arts, Yerba Buena Center for the Arts, and Crystal Bridges Museum of American Art. She is a grantee from various foundations which have supported her work in media and social practice-based projects in Kingston, Jamaica and Berlin, Germany in addition to her work in the United States. Jova Lynne’s work is part of the permanent collections of Harvard Art Museums, the Detroit Institute of Arts, and the Cranbrook Art Museum, as well as the Progressive Art Collection and the Wedge Collection.

Image: Jova Lynne, mine, 2025. Edition of 3. Archival Digital Print, 30 x 24 inches.


